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The Circle of Fifths for Scales

This is the circle of fifths. The note at the very top is the key that you will generally be focusing on. In music, C is a good starting place because it has no sharps or flats, i.e. all the white notes on the piano keyboard. The dividing line indicates all of the notes in a C major scale. Everything to the right, including the notes that are touched by the line, are in a c major scale. To work your way through the scale, you would you would start from C and then play every other note, jumping across the circle when you hit the dividing line. Scales will always go in alphabetical order. the important information gained from using the circle of fifths is which notes need to be flattened or sharpened in a particular key.

There are various truths about the circle of fifths. You can easily find out relative major and minor pairs. If you draw a line from the top of the circle (C) to 3 ‘o’ clock (A), you will have determined that C major is relative to A minor, likewise drawing a line from 12 ‘o’ clock (C) to 9 ‘o’ clock (Eb / D#) you will have worked out that C minor is relative to Eb major or D# minor. remember that a minor scale will always use the same notes as it’s relative major. So for an A minor scale, you would play all the notes from a C major scale, but starting and finishing on A. See the article on the circle of fifths and modes.

For more interesting facts on the circle of fifths, see the reference material for this article: Studying the Circle of Fifths

You can also use The Guitar Master’s Interactive Circle of Fifths to help find out what notes are in any scale. Simply click on the major name of the scale you are interested in. When it is at the top of the page, all notes to the right of the dividing line are notes in that major scale. And the various different modes can be achieved by playing the appropriate major scale!

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Ann Maries
Cambridge Directory
Guitar Websites – Links to the best web sites for Guitarists
Natural Wonder
Vortex Mechanics
Web directory add url
www.altrux.me.uk


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The chords for Hey Joe are the first 5 chords of the Circle of Fifths.

Tabs and more info to follow soon…


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I plan on writing a few bits and pieces on modes, so there will be more to come.

But this is a real nugget:

Using the Circle of Fifths for finding Modes in a Key

You should have seen by now just how useful the circle of fifths can be in music theory. Here is a concept that I’m not aware of having seen anywhere else, so if you have seen it elsewhere, please let me know so I can credit someone other than myself.

The image below is of the famous circle of fifths, but I have added in the names of the various modes. The modes are written down next to a particular chord. These are the chords of C major. (See my previous article on the major scale in chords, or my references to the circe of fifths if this concept is new to you).

Circle of Fifths Scale for Modes

The point of this exercise is to illustrate that if you want to play an F Lydian modal scale, you simply play a C major scale but use the F as the root of your scale. Play it over a song in the key of F and you get a particular feeling from the scale. Likewise, if you want to play an A Aeolian scale, you simply play a C major scale again, but with the A as your root note. Playing this scale will give you a different feeling altogether to the F lydian. But you are still using exactly the same notes.

So how can I work out what a C lydian, or a C Aeolian scale is? Or even a C Locrian? Well, you simply flip the mode names over so that they are a mirror image of where they were previously. This is illustrated below:

Circle of Fifths Modes for Key

So to play a C phrygian modal scale, you just need to play an Ab (G#) major scale over the key of C, or using C as the root of your scale (remember that on the guitar, you can play the same shapes for any scale and change the key that you are in by simply adjusting your starting position, or root note).

And if you look read the previous article and reference material on the circle of fifths, you will find that you can apply this rule to any key or scale by simply rotating the position of the modes according. Seriously, if this does not make sense, take a look at the great reference material for the circle of fifths in the previous article. All will hopefully become clear.

This will still take most people a long time to commit to memory. But I think the process is made much easier if you understand the concepts and patterns behind it all.

This is just scraping the surface. More on modes and the circle of fifths to come.

You can also use The Guitar Master’s Interactive Circle of Fifths to easily find out what major scale to use for a particular mode. Simply click on the name of the scale you are interested in. When it is at the top of the page, find the mode name you would like to play. The not next to it is the name of the MAJOR scale required to achieve that mode. try it and let me know if you have any problems!

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This is The Guitar Master Gallery.

New Gallery Pages:

Gallery 1
Gallery 2

For best results, try installing PicLens from CoolIris.

Older Galleries:

Art Work 1
Art Work 2
Art Work 3
Electric Guitar
Black Guitar


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The Circle of Fifths

The Circle of Fifths can be used for many different tasks in music. To change the key you are focusing on, simply rotate the letters until the key you are interested in is at the top. There will soon be a graphical app that will allow you to do this interactively on this site. But until then, you will need to use your imagination or a bit of paper. If you are using the circle for a specific task like figuring out the modes or chords in a key (see links at the bottom of this article) then be sure to rotate the letters alone, but not the other labels, i.e. the mode names or chord flavours (major, minor or diminished)

The circle of fifths is an ingenious method of organising the different keys into an arrangement that makes them easier to remember.

Check out this incredibly interesting web page on the circle of fifths and some of the useful patterns you can find.

The homepage of the same site gives you a great introduction into the physics of music and the vibration of strings. This is where music, maths and science are really related. You can begin to understand why certain things sound “musical”. But as to what stirs emotion and makes music interesting, this takes the artistic flair of a songwriter or genius of a true composer.

The theory of music, including the circle of fifths applies to all musical instruments and musicians that are interested in understanding it, not least of all guitarists. “Hey Joe” by Hendrix was based around the first 5 chords of the circle of fifths. He started in C, but you can start anywhere and you will have simply transposed the song.

The composer Chopin also based many of his progressions around the circle of fifths, and he is widely regarded as one of the greatest.

More articles on the Circle of Fifths:

The Interactive Circle of Fifths
Using the Circle of Fifths for finding notes in a scale
Using the Circle of Fifths for finding chords in a key
Using the Circle of Fifths for finding modes in a key

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I’m playing with setting up a new gallery section for this site. You can see the initial results here:

Test Gallery 1
Test Gallery 2

To get the full experience, try installing PicLens from Cooliris. There is a nice easy plugin for firefox, but it does support all the major browsers with a simple install. This will give you a truly fantastic 3D gallery experience. Google images have adopted piclens, which makes searching through google image results a very rewarding experience indeed!

Enjoy.

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The Major Scale in Chords is a progression of chords in a major key. The intervals between each chord in any major scale are as follows:

Root chord major; up two frets and minor; up two frets and minor again; up one fret and major; up two frets and major again, up two frets and minor; up one fret and diminished; up two frets and major (back to your root).

These are all the chords in that key. So for Cmajor, you would play C, Dm, Em, F, G, Am, Bdim, C.

Examples of this include “Like a Rolling Stone” by Bob Dillon. If you number each of the above chords in order, the chords for the vers of this song are: 1, 2, 3, 4, 5.

Red hot Chili Peppers “Under the Bridge” verse could be written down as 1, 5, 6, 3, 4, which would mean E, B, C#m, G#m, A.

The beauty of this is that once you know the intervals for a song, you can very easily transpose it to a different key to suit someone’s voice for instance.

Mix and match these chords to get a feel for how many, many songs are written. For more colour and effect, you will need to learn the jazz alternatives to these chords and also learn how to change key using the circle of fifths and diminished relations between keys.

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If you’re interested in my free online content, then a good place to start is here

At best, I hope to make this the best full and free online resource for aspiring guitarists to improve their learning technique and increase the speed at which they learn. This encompasses most styles of guitar playing, including classical, blues, rock, metal, finger picking, lead solos, jazz etc….

At the very least, this serves as a place for me to blog my musical thoughts and explain stuff to myself and others as I figure it out. It is ultimately a blog, so postings may seem a little off topics at times. Use the tags on the right hand side to filter and search for topics you are most interested in.

Please understand that this will take time to develop. So come back often to see how the site is coming along. You can also subscribe to the site’s RSS feed to be kept up to date with new developments.

Hopefully others will be able to learn from the mistakes I have made and better direct their own learning process.

You will find tabs, videos, links to other great sites and utilities for helping you to get better at the guitar, qucker.

All I ask is that if you find useful stuff on here, remember to tell others where you found it! Spread the word and this site will become more popular, which encourages me to spend more time researching and emptying the contents of my brain into these pages.

I do also teach private guitar lessons in Haverhill, Suffok, UK. If you are in the surrounding area and looking for a guitar teacher, please go to my information request online form and contact me for more information.

I look forward to hearing from you!

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